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I have continued the dream-like form of disparate animated scenes, each with its own ""romantic-with-an-edge"" slightly surreal flavour. Scenes are sometimes run-on, sometimes separated by brief periods of darkness to relax, as in breathing, the viewing eye. There are no fancy superimpositions now, nor excessive visual trickery, only a comparatively straight forward presentation of the improbable images, which have formed themselves in my improbable mind.